Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
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