Small Ensembles Concert
Sydnor Performance Hall, Schewel HallThis event is free and open to the public.
Free
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University of Lynchburg | 1501 Lakeside Drive | Lynchburg, VA 24501-3113 | 434.544.8100
This event is free and open to the public.
Bring your snacks, lawn chairs, and blankets and stake a place out on the lawn to kick back and enjoy the Perseid meteor shower. You can take advantage of our […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Persons needing accommodations for disabilities at a University of Lynchburg event should contact the Center for Accessibility and Disability Resources at least one week before the event.