Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
The Flynn Center of Equity and Inclusion cordially invites you to engage with Mr. Dalton Cooper, '16 on Tuesday, September 20 @ 6pm, in the West Room of the Drysdale Student Center. In this Courageous Conversation, Mr. Cooper will share how BIPOC communities are most affected by our current climate crisis. Come join the conversation […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had ever known.” He saw his landscape paintings as “an important contribution to help people discover the beauty of their land...to inspire men with a love […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and Ethnicity, Gender, Spirituality and Religion, Personal Adornment as Rank and Prestige, Transmission of Social Mores, and Music, Dance, and Storytelling. This event is free and […]
Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
The decision to desegregate the schools was made at Diamond Hill Baptist Church when Dr. Virgil Wood was pastor. Initially, 28 to 32 students signed on as potential participants. Hylan Hubbard was in that group. Over the course of time, political and economic pressures were applied to the families. Attrition pared that number to the […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had ever known.” He saw his landscape paintings as “an important contribution to help people discover the beauty of their land...to inspire men with a love […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and Ethnicity, Gender, Spirituality and Religion, Personal Adornment as Rank and Prestige, Transmission of Social Mores, and Music, Dance, and Storytelling. This event is free and […]
Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had ever known.” He saw his landscape paintings as “an important contribution to help people discover the beauty of their land...to inspire men with a love […]
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and Ethnicity, Gender, Spirituality and Religion, Personal Adornment as Rank and Prestige, Transmission of Social Mores, and Music, Dance, and Storytelling. This event is free and […]
Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
Persons needing accommodations for disabilities at a University of Lynchburg event should contact the Center for Accessibility and Disability Resources at least one week before the event.
